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      Algiers (Matador) • Ganser in Milwaukee


      • Algiers (Matador) • Ganser Photo #1
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      December 3, 2020

       

      2496 S Wentworth Ave
      Milwaukee, Wisconsin 53207

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      Algiers (Matador) • Ganser


      Algiers

      (Atlanta, GA)

      From the instant synth-pulse of the opening seconds of There is No Year, it’s clear that Algiers have set out to stake new ground, internally as much as sonically. At the forefront of this evolution is the centrality of power housed in Algiers’ multi-instrumentalist lead vocalist, Franklin James Fisher, whose voice and words provide the backbone of the album, his lyrics sourced entirely from an epic poem, “Misophonia,” composed during his search for meaning amidst a protracted personal period of anxiety and lack.
      “What I wanted to do is create a negative space wherein I can exist and engage but at the same time not be so exposed,” Fisher explains. He speaks of the record’s perspective as not only a political apparatus, but an intimate, responsive evocation of his understanding that “nothing is ever what you expect”, that what might seem for now to be well known or assured is not always so, that there is no safety net. The effect, as felt on the record, is undeniable: Fisher sounds like he is singing for his life—for all our lives, really—baring his soul while the walls disintegrate around us.

      The pool that he draws on is at once penetrating and exhilarating, wielding its anguish like a mirror at Medusa, full of hell. Whether he is lilting over post-Lynchian synth-whorl like a spot-lit bandleader, as on “Unoccupied,” or reincarnating the spirit of thrumming 80s R&B into a proto-no wave dancefloor classic straight from 2046, as on “Chaka,” there is a tangible emotional electricity to Fisher’s delivery, a personal valence that makes you want, more than anything, to believe, even while not quite knowing where we’re headed.

      No less next-level in Algiers’ conception is the ambition of the aural architecture they manage to summon. Under the direction of producers Randall Dunn [Sunn O))), Earth] and Ben Greenberg [Zs, Uniform (as featured on Twin Peaks season 3)], the same exciting duo who first teamed up on Jóhann Jóhannsson’s Mandy soundtrack in 2018, the clearly studied composition of this new horizon finds an outlet for turmoil via a fascinating synthesis of styles—from future doo-wop from the trapped heart of ATL, where they began; to industrial soundscapes a la Scott Walker or Iggy Pop; to something like the synthetic son of Marvin Gaye and Blonde Redhead. The whip-tight rhythm section of Ryan Mahan and Matt Tong (ex-Bloc Party) moves back and forth from infectious menace to sci-fi soundtrack to big band fever dream, seamlessly syncing fresh continuity. Mahan’s beat programming and synth constructions fill out the fibrous threshold, while Tesche’s sound-sleeves and aural-layering shapeshift into a richly polished means of exploration, revealing more and more the deeper you delve.

      “This is the sowing / Of the whirlwind,” Fisher sings on “Repeating Night.” “Don’t forget it’s us against them.” There’s something more behind the curtain of our daily-headlined pain, the album’s title seems to suggest—something even larger at stake than rage, or even revolution; which is exactly what Algiers’ music appears to have resolved itself to channel, and to wield. Their essence on There is No Year is a statement of their defiance, their desire to feel and be human even beyond the necessary fight back, sprawling head-on into the burning wind of doubt and fear and all it’s claimed, arriving on the far side of calamity more alive than ever.


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      Ganser

      (Chicago, IL)

      “What a time to be alive.” ESP. Dyslexia. Moments of gesture. Should I? And Why? Morse Code. Body language. Dropped calls.

      Chicago quartet Ganser was formed in 2014, embracing college art rock, post-punk, and noise. Taking influence from the no wave din of acts like Sonic Youth and contemplative post-punk like Magazine, they dive deep into where words fail on their debut LP Odd Talk following 2016’s This Feels like Living. Their amorphous sound takes on the form of their comedically grim, absurdist subject matter.
      Seeking meaning in mess, they sort through syllables and signals to find the right words. When’s the last time you called your mother?


      Ganser is Alicia Gaines, Brian Cundiff, Nadia Garofalo, and Charlie Landsman.

      Cost: $11 ADV // $13 DOS

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